Worries and Conclusions

Confession time: in the past, I have worried about a lot. I worry that I don’t have anything worthwhile to say. I worry that no one will want to listen to me or follow me or buy any of my books. I worry that people find me uninteresting.

The thing is, I don’t feel worthy or qualified for the giant dreams I have. I want to reach people and care for fans and do events and all that fun stuff, but how do those dreams come true without people or fans who care about what I’m doing? It’s a dilemma. A catch-22.

I know this is a lot more personal than I usually get on this blog, but I think it’s time for me to change. It’s time for me to show you the side of me that isn’t self-confident, who doesn’t know what’s she doing or how she’ll make it.

I strive to be transparent because I know people respond well to transparency, but if I’m being totally honest, right now there are no people to respond at all. And it’s difficult, throwing things out into the void and hoping someone finds them and cares enough to dig deeper.

I don’t want to be the person who lives two completely different lives. I want people to know that what they see is what they get. I won’t hide myself to please others or to keep myself from getting hurt by them.

Which is why I’ve taken some giant steps toward that in the last couple months. If you didn’t know (and you might not), I am launching a new book in a new trilogy on June 1st, 2018. I’m terrified, but it’s happening. If you want to support by pre-ordering, you can do that here.

I have also started a YouTube channel. It’s a work in progress and I’m learning as I go, so if you have something you want to see or hear from me, please let me know. If you want to help me out by subscribing and/or liking my videos, you can find the channel here. I hope you don’t find me annoying or uninteresting.

As always, you can follow me on Facebook or Twitter, as well as Instagram! (That one’s new and I’m not great at it yet but I’m trying). You can also sign up for my e-newsletter to receive updates. That can be found on my website home page. Please help support this writer’s dreams!

Believe me, every time I post anything, I’m fighting my own fear. I want to overcome it all and be strong and supportive for you guys. For everyone who wants to read for a living or write for a living OR if you just really love books and writers. I want to meet you and hear your stories and keep bringing you all kinds of spectacular product and content.

With all that said, I’m going to try to keep this blog up way better than I have been. I’m intent on bringing you along with me on the journey to authorness. Stay tuned and join the tribe!

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What questions do you have about me? I’d love to answer!

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

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What I’ve Learned from NaNoWriMo (Weeks 1 & 2)

Fourteen days in. Fourteen. Whole. Days.

Amazingly, I’ve only missed writing on ONE day so far. Usually I’m doing pretty horribly by now. That still leaves me with almost 2,000 words to make up. Joy.

Anyway, on to what I’ve learned from NaNoWriMo this year. Going on the last two weeks alone, I have learned one very important thing as I’ve worked my way from 0 words to almost 23,000. And that one thing is this:

Push through the pain!

I say this because, even though 1,667 words a day doesn’t sound like TOOOOO many, I’ve been having a really hard time getting that many out. Usually, I hit around 1,100 and the words dry up. My mind goes blank. I have no idea where the story is going next.

And that, my creatives, is where I have had to learn to push through the pain.

Those last 600 words can be terrifying and excruciating, but it hasn’t failed yet to be the best part of everything I’ve written. When you finally push through that wall that stands before you, you find jewels on the other side. A secret letter, an unexpected in jury. A love you didn’t know existed for your character. An amazing best friend.

Though it is so difficult to think past writer’s block, I’m learning!

Sometimes it’s easier than other. Sometimes I have to use a writing prompt (and, yes, that’s okay!) Sometimes I have to sit and ask myself “what could go wrong here?” and then write it down. (This is how I end up with things like helicopter chases. Who knew?!)

So, even if you’ve hit that wall. That writer’s block craziness! Just push through the pain and find the treasure on the other side. It will be worth it in the end.

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Do you love your stories? I’m sure I would too! This week, I’d love to hear either A) your summary, or B) Your first page of a recent story. I can’t wait!

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

Why I LOVE NaNoWriMo

Okay, I admit, this is not one of my typical posts. And yet it is, in a way. Whatever, it’s confusing, moving on.

I’ve read both good and bad things about NaNoWriMo. Some people say it’s a horrible idea to try to write a complete novel in only 30 days. Others say it’s the ONLY way to write a novel. Some hesitant, on-the-fence people say they can see it either way.

I think NaNoWriMo rocks.

Why?

Because it’s actually a really good idea, and there are multiple reasons why.

Reason 1: Writing a novel in 30 days is the best thing that ever happened to me.

And why is that, you ask? Because I stopped second-guessing myself. I stopped over-analyzing. I stopped telling myself that there was “no way” I’d ever write something good enough. I just wrote. And wrote. And wrote.

Because I had to write so many words per day and had so few days to write it all down, my inner editor shut up and let my creative genius shine through. My first NaNoWriMo was 2014, and that novel – the one that came out of my creative side, not my formula side – is still one of the best pieces of work I’ve ever done.

Reason 2: Writing a novel in 30 days stretched all my creative muscles.

The first five (or so) days were awesome. I wrote and wrote and wrote. Finished a few chapters. And then it happened. I got stuck. Suddenly, I had no idea where the plot was headed. I had no idea what happened next. I was only about 5,000 words in. No! I couldn’t fail! This couldn’t be happening!

Needless to say, I didn’t have weeks to ponder and work through my writer’s block. I had hours. Maybe.

So I did what any self-respecting novelist would do.

I freaked out. I ate half a pan of cookies. And some chocolate. And a couple caramels. I paced my room for a while.

And then I sat back down at my computer, re-read the last few sentences, and pushed on. It was painful, not knowing where the story would go next. And some characters died in the process. But I did it. I stretched that creative muscle and overcame writer’s block in record time. And, as much as I loved them, I see now those character deaths were necessary to progress the plot.

Reason 3: NaNoWriMo is just plain fun!

Who cares if anyone else ever reads your NaNo Novel? The journey from blank page to 50,000+ words is FUN!

Whether it’s hanging out with the Word Sprinters on Twitter, joining a virtual write in on Youtube (via Google hangouts), or actually meeting up with fellow WriMo’s in your area, it’s nice to know that there’s an entire community of writers around the globe backing you up.

If for nothing else, join the NaNo community for one month and get some advice from writers around the world. You never know if they’ll have a different perspective on writing that you’ve never thought of before. It could be the best experience of your life. But you’ll never know unless you try.

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So… Are you planning on joining NaNoWriMo this year? Why or why not?

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

Learn the Language

What’s the first thing you do when you visit or move to a foreign country?

You learn the language.

And not just the spoken language. You learn the gestures that are permissible or impermissible. You take time to learn how their bartering system works. You learn what the people from the country love to do and what they’re not so fond of. You learn every aspect of the language they speak from the inside out.

“But, Megan, what does this have to do with writing?”

Good question. And one I’m here to answer.

When people leap into their preferred book or movie writing genre (fantasy, sci-fi, action/adventure, etc.), most of them don’t take time to learn the language. It’s the ones that do take that time who excel in what they’ve set out to do.

“What do you mean by ‘learn the language’?”

What do I mean? I mean that each genre has a language you should be learning.

Do a study for me, just to humor me. Pick up a Science Fiction book or movie and really listen to what they’re saying. You’ll probably hear a lot about lasers, teleportation, spaceships, and other fun stuff. Now pick up an Action/Adventure. Bullets, car chases, knives, and stalkers.

If you look at each genre, through multiple stories, you will find that each has its own set of rules and its own language to learn. People who read or watch those genres all the time have an innate ability to speak that language fluently, and without really thinking about it.

If you’re going to write a specific genre, I suggest you pick up a book or movie and start learning the language before you take one step further. Fans will know if you really speak their language or not, and if you don’t (I hate to say it) they’ll put down your stuff and call you a fake.

Just like any other language, the genre languages are more easily learned when you immerse yourself in them. When I sit down to write an Action/Adventure, I make sure I’ve spent weeks reading that genre and watching all my favorite action movies. The more time I spend immersing myself in those things, the better my writing becomes. Why? Because I’ve learned the language.

Don’t jump into writing a fantasy novel when you’ve been on a steady romance-only diet. (Just an example, exchange any two genres in there.) What you put in is what will come out when you sit down to write. Please, please, please do the world a favor and immerse yourself in the language. Learn it until you can’t possibly speak anything else. Until the syntax and sentence structure are fused into your bones. Trust me, your readers and I will thank you later.

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Your genre and your favorite story therewithin (book or movie). I want to know!!!

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

Kill the Bird

“Kill the bird.”

Okay, I totally realize that must seem like really strange advice to those of your reading this, because you have no point of reference for it. (“Kill the… bird? Why are we killing animals? What kind of sick sadist are you?”) But, trust me, it’s pretty genius. Just go with me on this, I’ll explain.

Recently, I’ve been thinking a lot about the little things in books. You know, the chair the character is sitting in or the mug she pulled from her cabinet. Little things.

Forget the big things for a while with me. Put aside the characters, the major settings, the plot holes, and even the main theme. Got it? Good. Now lean a little closer and study that little thing. Like a prop on a movie set. Pick it up, turn it around. Examine every little part of it.

“What does this have to do with killing a bird?!”

Shh. Calm down. Keep studying that little prop. Notice that crack on the side of the glass. Yeah, and what does it really say right there? Good. You’re doing great.

NOW I will explain what any of this has to do with a bird.

Like those things you were just examining, a pet is a “little thing” in a book. Like a prop. They’re there, but they don’t always show up as a major character.

For instance: I’ve been writing a story with a writer friend, and in this story there is a minor character that is a bird.

(A BIRD! I get it! Wait… what? You killed the bird?! Talk about a spoiler!)

Wait. Hey, hold on. You’re getting waaaay ahead of me here. Back up a tick.

In this story, there is a bird. Said bird is the pet of one of two main characters. Over the course of this story, we’ve grown very attached to this bird. VERY attached. To the point that, when bandits attacked and the bird went missing, both of us were very distraught because we honestly hadn’t anticipated this and had no idea what happened to the bird. Was it dead? Was it okay? Had it pecked its attackers to death?

If you’re still jumping ahead of me, you’ll see where I’m going with this. If you are with me, congratulations! Now I can tell you what the very important lesson is in this blog post.

We’re worried about the bird.

Whaaa…? (cue minion confusion face)

Let me repeat. We. Are worried. About the BIRD.

Remember when I said the bird wasn’t even that big of a character? Turns out, it didn’t have to be. For whatever reason, people (bless ’em) have the tendency to overlook the big things and pay attention to the small ones.

When we messed with that one little, tiny piece of the story, things exploded. (Not literally, but that would have been cool).

The two main characters bonded over a lost pet. It set up a great scene for the bird’s owner to have some introspection time and created a host of opportunities for metaphorical situations.

Again, for some reason, people are weird. Kill a character? Pfft, they’ve seen it before. No biggie, there are always ways to replace them or bring them back. Kill a pet or smash a small object? They go into overtime worrying (and some crying).

Are you looking for a way to make your writing more impactful? To rip out their hearts and dance on their graves while they weep uncontrollably over your book? (It sounds more maniacal than it actually is). If so, kill the bird. People quickly get attached to animals, pets especially. And what could be more evil than a villain who can kill an innocent animal and not feel an ounce of remorse?

I feel like I should end by saying that after a long and terrible ordeal (with lots of agitation and tears on all the writers’ parts), the bird is fine. She’ll live and life will go on. (AKA: no animals were harmed in the making of this blog post).

So… How are you going to make an impact? What can you do to “kill the bird”?

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I want to hear your stories about the small details!!! Whether you read it or wrote it, let me know what small detail changed to make you cry in a story you love.

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

4 Lessons About Writing From “Hoodwinked!”

For those of you who are now wondering what in the world “Hoodwinked!” is, I will explain. “Hoodwinked!” is not only fun to say, (go on, try it!) but is also an animated movie from the early 2000s. The premise? To learn the “true” story of Little Red Riding Hood, a tale distorted by time. (Let it be noted that I know a lot of people who don’t like this movie, but I happen to think it’s pretty awesome and will continue to like it despite protests.)

There are tons of lessons we can learn from fairytales themselves, but that’s a blog post for another time. In this case, we’re taking lessons from the movie loosely based on the fairytale. They are completely different. So…

#1 – No Character is an Island Unto Himself

It’s true folks, this movie made me sit up and see the light on that point! No character exists in his own little bubble. All their lives interconnect, even when they don’t realize it.

There are several characters in “Hoodwinked!” who, at the beginning, seem random and unessential. Until you start to figure out the story behind the story. Suddenly, you realize these characters aren’t random and they are very essential to understanding what’s going on in the Forest. They bring with them a depth the story wouldn’t have had if they had been left out.

So don’t underestimate those characters that just happen to show up for a brief scene. What if they’ve crossed paths with your hero or villain (or both!) in the past? What if they know more than they’re telling? Think about how their life connects with the other characters’ lives, then see what depth your story has just developed.

#2 – Nothing Should Ever Be As It Seems

“Hoodwinked!” has one major writing advantage to other kids’ movies. Nothing turns out like it seems.

That crazed axe murderer? Not a crazed axe murderer at all. Granny floating through the clouds? Logical explanation. A seemingly random avalanche? Not random at all.

When writing, we should remember that people make assumptions, and those assumptions are usually very wrong. Don’t let your characters figure things out too quickly. Let them assume what they just saw was something completely different than what it actually was. It makes for conflict, and conflict makes for a great story.

#3 – Villains Aren’t Always Cut-And-Dried, Sometimes They’re Cunning

I won’t give the spoiler on this one, but the villain isn’t who you think it is. He’s unassuming. He’s a friend. But, behind the scenes, he’s orchestrating everything to make it look like someone else did it.

Villains don’t always seek the attention. Sometimes they’re villainous because they DON’T want the attention. They want someone else to take the fall so they can pick up the pieces and make a profit. Think outside the box when it comes to villains. Let them be someone you don’t think a villain normally is. Surprise us by twisting the story around until the REAL villain jumps out and says, “You didn’t see that coming?”

#4 – Keith Is Not A Scary Name

“…And Keith… get a scarier name. Really, who’s going to be afraid of a guy named Keith? ‘Ooh, I’m so scared, it’s… Keith.’ ‘Everybody look out, here comes… Keith’.”

The longer you think about it, the more you realize he’s right. Keith is just not a scary name. Friendly, maybe, and totally hero-sidekick-available. But not scary. Because of this movie I now realize I can never name a villain… Keith. This is a very important lesson, folks. Be sure to give your villain a scary name like Gunter or Nash or Vadislev. Not… Keith.

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Have you seen this movie and will you fangirl with me? BONUS QUESTION: Can you spot the Marvel Cinematic Universe reference in this post?

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You!

The Power of Prose

Words are magical.

I mean, think about it. With a simple turn of phrase, we can make people see exactly who, what, or where we want them to. With one carefully placed word, we can turn a sentence from sweet to creepy or vice versa. There isn’t much that our words CAN’T do.

I know, better than most, that this puts a huge weight of responsibility on our shoulders. What if we choose the wrong word? What if the word we pick isn’t strong enough? What if we fail to make it come across as we see it in our head?

All valid questions.

The answer is: we never know if we’ll have the desired effect until we let others see our work.

I know, it’s a Debbie Downer. But, the good news is that there are things we can do to make sure we get our point across exactly as we want it to come across. Let me ‘splain.

For those of you who write Suspense or Thrillers, you’ll want to know how to heighten suspense in your scenes. Thankfully, I have a pretty good idea how Suspense works, so here’s my number one suggestion to create the suspenseful scene you’re looking for. Ready?

Use short sentences.

That’s it. The shorter the sentence, the more clipped the feel of the scene. And don’t just use short sentences in your narrative, throw some into your dialogue as well. Fragments are welcome in a suspense scene, because it inherently tells your reader that something is terribly wrong. (Despite what people think, anyone who paid attention in English during middle school subconsciously knows their grammar.)

For those of you who write Romance (or any sub-genre thereunder), you’ll probably want to know how to show your readers how sweet one or the other person is without being super cheesy. So, my number one advice:

Use body language.

“In my writing? Really?”

Yes. Really. Over half of the ways people express how they’re really feeling is in their body language. Do they have a nervous tick? Do they have a habit of reaching to push the girl’s hair behind her ear? Anything like that can add loads of layers to a scene and, ultimately, a story. This is one of those instances where “Show, Don’t Tell” comes in really handy. Don’t tell your readers he likes her. Show them by his actions. Just like real people.

So, you romance writers, go plug in your favorite Rom-Com and take notes on how he shows he loves her.

For those of you who write Historical, you’ll want to know how to keep your facts straight.

Google.

There is nothing better. Oh, and for heaven’s sake, please find out if the words you choose for them to speak were actually spoken in your time period. Please. I’m begging you. It’s a pet peeve of mine.

For those of you who write Fantasy…

Okay, I’m sorry, I’ve got nothing for you. It’s all in your head. As I am not a fantasy writer, I can’t give advice on the subject, except to say pay attention to your plot holes.

So, advice for the day, pay close attention to your genre and READ, READ, READ!!!

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What genre do you write and what’s your favorite part about it?

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You

Learning to Intrigue

I’ve struggled a lot while learning the craft of writing. A. LOT. And do you know what the hardest part is (for me, at least)? Catching and holding an audience. And, as I write romantic suspense, that’s kind of a problem.

So, here I am to tell you I’ve finally found the solution.

I have taken a lesson from the movies.

Let me expound. I found this solution for myself by thinking about what I want readers to feel like when they read one of my books. I sat down, I thought, thought, thought (Eh? Anyone? No?), and I said to myself “action movies”. You know the ones. The ones where you sit on the edge of your seat, bite your nails, and worry over whether the characters are going to make it out alive. And then, after I had nailed that down, I promptly sat down to marathon and take notes.

What fun tricks did I learn, you ask? Well, that’s why we have this blog post!

1. Keep the audience in the moment

This may sound like an impossible task, but it is accomplished by utilizing one simple tool. Withholding information. To keep in the audience in the moment you’re at, you only tell them what they need to know to understand the story thus far. Do not — I repeat, DO NOT — burden them with exposition. Keep them in that moment in time. Do not take them back in time. It is okay ON OCCASION to foreshadow something from the future, because we’ll need that in a minute.

Which brings me to point:

2. Foreshadow future events

Let me clarify. Not every single line of narrative has to foreshadow the future. Do not harp on people about how “If I knew now what I knew then” and “I would have chosen differently if…”! Just don’t. Foreshadowing is a tool to keep your readers/watchers guessing. If you keep using it over and over and over in an overt way, they’ll lose interest.

So, use subtle foreshadowing. That gun that has a tendency to jam. That squeaky door when you enter the house. That weird note the heroine gets at the beginning of the story. An “off” line of dialogue. Be creative. Be subtle.

3. Keep them guessing

I recently watched a new release where a character was introduced and we weren’t sure if she was totally evil or semi-okay. She was there to torture, but then she helped the hero escape. Everything she did could be taken for good or evil, and we didn’t know which way she would ultimately lean. You know what this did? It kept me guessing!

If your audience has seen the plotline before and knows that “Oh, hey, this is what’s going to happen next”, they’re a thousand times more likely to put your book down or turn off your movie. You have to keep them up in the air. Don’t solidify anything until at least the third act.

That isn’t to say don’t tell the audience anything. Give them hints, clues, snippets. They’ll read on.

Anyway, those are the major points I’ve learned while studying the action/adventure movie drama for tips. I hope you found them helpful, and I also hope if you have questions you’ll either comment or contact me. Here’s till next time!

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What are your thoughts on keeping readers hooked? I’d love to hear!

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You

Keep Your Eyes Open

Okay, guys, I’m soundtracking this one. In 3… 2… 1…

Why this theme? For one simple, very good reason.

The best piece of writing advice I have ever gotten came from a book I read recently. What was this sage piece of wisdom? Let me share it with you: “Don’t look away.”

Three simple words that changed my story method forever.

Why, you ask? Because until that point, I had been looking away. Away from embarrassing moments. Away from painful moments. Away from moments that could make you cry they’re so wonderful or could make you cry for other reasons. I had been stopping before I hit reality. And what’s the one thing every writer must bring a touch of to their story? That’s right. Reality.

As writers, our first and most important job is to tell a story. But our second most important job is to not look away from those everyday moments that make life… well… life. How are we supposed to bring readers to their knees or make them swoon or laugh or cry if we look away before the full effect takes place?

I’m not just talking about when we’re researching, either. Yes, it’s good to watch an entire moment play out before you, but the whole point of keeping your eyes open is so you can write it accurately. What does the audience gain if you end a touching (thrilling, tear-jerking) scene before its full conclusion, or if you skip the parts you think are “too emotional”.

Answer: nothing.

I know it’s difficult to write and it drains you emotionally, but I beg of you to put in those raw emotions. That’s what makes your characters real.

Is she heartbroken? Show her sobs.

Is he angry? Show his rage. ALL of it.

Study body language and psychology. See what makes your characters tick and how they react to a situation that throws them out of their comfort zone. It’s okay to do this! You know why? Because the second best piece of advice I’ve gotten is: “Kill your darlings.”

Don’t be so attached or so fearful for a character that you just can’t hurt them. Reality, remember? Everyone gets hurt, that’s the horrible truth. Hearts break, people lie or miscommunicate, and everyone has bad days. Just look around you. That girl sitting in the corner Starbucks booth all alone? What’s her story? That busboy in the restaurant that you pay absolutely no attention to – Why does he work there? The mom with three little kids in the grocery store – Is she alone or did she choose to be by herself?

Why?

That is the biggest question you should ever ask yourself. Why do things happen around you? Why are people where they are at this moment. Listen for the stories and when you find them: Don’t. Look. Away.

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What’s the best piece of writing advice you’ve ever gotten?

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You

“Return to Go”

The all-mighty rejection letter.

You know the one. The one that starts “We regret to inform you” and goes downhill from there. The one that crushes your soul (like a grape) every time you get a new one. And it seems they’re all the same, right? All telling you that you haven’t made it.

Do not pass “Go”.

Do not collect 200 dollars.

I know the feeling, because I’ve been there. Every writer has. Some are lucky enough to get someone who will walk them through the process of rejection until they’re finally accepted. Others, notsomuch.

What does one do with a crushed-grape soul?

First, I fully believe in going to the kitchen, finding a pan of brownies or an entire cake, and eating them. Something about it gives just the right amount of comfort for a grieving writer. It soothes the nerves and definitely boosts your endorphin level… Not really, but I’m trying to give you some hope here.

After you’ve gorged yourself on Marie Antoinette’s final piece of advice (“Let them eat cake”), It gets a little tougher to deal with. Because the next thing you have to do is return to go. Sweep aside your shattered plans, pick up the intact pieces of your dreams, and begin again. Grab that notebook. Turn on your computer. Put your fingers to the keyboard. And let it all flow out onto the page.

Writers work magic with words and emotion. No better time to write emotion than when you’re swimming in a sea of it.

Thirdly, stop thinking of them as “rejection” letters. Sure, the editor/agent/friend/magazine didn’t like that particular piece of work, but they’re not rejecting you as a person. Choose to turn that lie on its head and think of them as “not yet” letters. Most famous writers got hundreds — some thousands — of those letters before they hit their big break. All it takes is one person who believes in you enough to give you a shot.

The name of the writer game is Perseverance! (and a lot of determination) Don’t spend valuable writing time moping about the contract you didn’t get. Return to go and start the race toward the best finish line ever. The contract you have YET to get.

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I’m interested. Worst rejection letter you’ve ever gotten and best rejection letter you’ve ever gotten. What are they?

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