Why You Should Hide Fluff Inside Action

Something I have learned recently: hide fluff inside action.

Let me clarify. It isn’t exactly “hiding”, but rather inserting in the middle. Still confused? I’ll explain.

I have recently fallen down the K-Drama wormhole (don’t judge, we all have one quirky obsession), and it has actually been very good for my writing. Being a writer, I watch with an eye toward what the writers were thinking when they pieced the story together. One of the first things I noticed is how hard I began to ship characters. (For those of you who don’t speak the language of “ship”, let me know and I’ll write you a post.)

I digress. When I started to realize how squeal-worthy these shows were, I (naturally) began to dissect WHY. I discovered something particularly interesting.

Generally, when you learn to write, you start to break down what needs to happen into scenes and the like. You ask, “what is the purpose of this scene?” and break it down into Action, Love, Filler, Plot, etc.

But what if you didn’t have to? What if one scene could serve multiple purposes?

You see, that’s what I began to discover. I shipped these characters so hard because their lives weren’t dissected into different categories. Everything intermingled. Everything in their lives touched.

And the best part? The most squeal-worthy fluff scenes weren’t fluff scenes at all.

My favorite scenes began to take on a pattern. Anyone who knows me also knows that I LOVE ACTION AND ADVENTURE AND DANGER. Hands down one of my favorite things to read, watch, or write. It’s so exciting! So, naturally, my favorite scenes had danger and action. But then I realized, right in the middle, the writers would throw in a sprinkling of fluff.

A kiss before the hero runs into certain death.

A heroine reaching for her hero’s hand when she gets scared or injured.

A simple confession of “I like you” as they realize they may never get to say it again.

And then, right on with the action and adventure. As if nothing ever happened. (*Cue me, screaming at the screen* YOU CAN’T JUST LEAVE US LIKE THAT! THAT’S CRUEL AND UNUSUAL PUNISHMENT!)

Thus, they have created the need for more. As writers, I think that’s a cue we should learn from. Sometimes, less is more. People want to push characters into a relationship. We’re hard-wired to think two people in the story should end up together. If you give them an inch, your readers will take it a mile.

I personally believe — after much trial and error — that fluff as its own scene can be grating. However, if you give a taste of fluff inside a much richer, fast-paced scene, people will come back for more. They’ll crave that relationship and all it entails.

Raise the stakes, my friends. Let your purposes intermingle and bleed into each other. Life is messy, so why can’t our character’s lives be a little more realistic in that way?

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Worries and Conclusions

Confession time: in the past, I have worried about a lot. I worry that I don’t have anything worthwhile to say. I worry that no one will want to listen to me or follow me or buy any of my books. I worry that people find me uninteresting.

The thing is, I don’t feel worthy or qualified for the giant dreams I have. I want to reach people and care for fans and do events and all that fun stuff, but how do those dreams come true without people or fans who care about what I’m doing? It’s a dilemma. A catch-22.

I know this is a lot more personal than I usually get on this blog, but I think it’s time for me to change. It’s time for me to show you the side of me that isn’t self-confident, who doesn’t know what’s she doing or how she’ll make it.

I strive to be transparent because I know people respond well to transparency, but if I’m being totally honest, right now there are no people to respond at all. And it’s difficult, throwing things out into the void and hoping someone finds them and cares enough to dig deeper.

I don’t want to be the person who lives two completely different lives. I want people to know that what they see is what they get. I won’t hide myself to please others or to keep myself from getting hurt by them.

Which is why I’ve taken some giant steps toward that in the last couple months. If you didn’t know (and you might not), I am launching a new book in a new trilogy on June 1st, 2018. I’m terrified, but it’s happening. If you want to support by pre-ordering, you can do that here.

I have also started a YouTube channel. It’s a work in progress and I’m learning as I go, so if you have something you want to see or hear from me, please let me know. If you want to help me out by subscribing and/or liking my videos, you can find the channel here. I hope you don’t find me annoying or uninteresting.

As always, you can follow me on Facebook¬†or Twitter, as well as Instagram! (That one’s new and I’m not great at it yet but I’m trying). You can also sign up for my e-newsletter to receive updates. That can be found on my website home page. Please help support this writer’s dreams!

Believe me, every time I post anything, I’m fighting my own fear. I want to overcome it all and be strong and supportive for you guys. For everyone who wants to read for a living or write for a living OR if you just really love books and writers. I want to meet you and hear your stories and keep bringing you all kinds of spectacular product and content.

With all that said, I’m going to try to keep this blog up way better than I have been. I’m intent on bringing you along with me on the journey to authorness. Stay tuned and join the tribe!

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What questions do you have about me? I’d love to answer!

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

Declaration Statements

I have recently rediscovered how much I love it when a character in a movie/book/tv show discovers who they really are. It’s either a breathtakingly tragic moment or a moment of joyous celebration.

With discovering who they are, almost all of them nail down what their purpose is, and we all know that we love to know what their purpose is. To prove my point, please enjoy just a few of the declaration statements I thought of as I thought through this.

“I am Inigo Montoya. You killed my father. Prepare to die.”

“I am Loki. Of Asgard. And I am burdened with glorious purpose.”

“I am Moana of Motonui. You will board my boat and sail across the ocean to return the heart of Te Fiti.”

“I am a Jedi.”

“I am that hero.”

“I am Groot.”

“I am Iron Man.”

“I am the President of the United States of America, clothed in immense power. You will procure those votes.”

Those are just some of them.

You’ll notice in the case of Loki, I added in a villain. (Don’t argue with me, for the sake of the Avengers movie, he was a villain.) This is because it’s not just the heroes who can have this epiphany moment.

In the case of Groot, it’s less an identity statement as it is that’s all he can say, but hey I couldn’t resist.

Declaration statements often come out in the heat of battle, or when they need to know who they are most. In the case of Inigo, he talks about saying that to the man who killed his father, but he never says it with as much conviction as when he finally meets him face to face.

The same goes for Moana (who eventually comes to the revelation — in song, no less — that “I am Moana!”). She needs to know that who she is, is enough to help save her people.

Declaration statements are fun and even more fun to use. I’m going to go try some in my newest WIPs. What about you?

Making Emotions Real

“Sometimes, the saddest parts aren’t where the character is crying. Sometimes, the saddest parts come from when they’re trying not to cry.”

This quote has changed the way I write.

I realized, after reading it fifteen times and pondering on it for a long while, that whoever came up with this is absolutely correct.

I mean, come on! Have you ever been reading a book, going along and enjoying it, and then you realize there’s this one character who is constantly bawling? (Guilty as charged, I have so yelled at a character for crying too much before.)

If you take a minute to look at real people, you’ll find that (more often than not) they don’t want other people to see them cry. And, therefore, they hold back the tears and set up their “I’m okay” facade. Just watch people around you every once in a while.

We’ve talked about how people have “tells” before. Well, people have what I call “emotion tells”. Like a tick that could be a quivering chin if they let it. Some people’s noses turn red when they’re trying not to cry. (I know a few.)

People are emotional by nature, but many also have a pride issue. For some reason, society has told us that crying make you look weak, and therefore most people don’t want to give in to their natural emotions. Because they think it will make them look weak.

Recently, I was writing a story where a character blames herself for stuff that keeps happening to both her and other people. Because of issues in her past, she also has abandonment issues.

Sounds like it could go really mushy really fast, with lots of tears and “don’t goes”, right?

Wrong.

I’m telling you, I actually cried writing her most recent scene. A scene in which someone she loves says they’re leaving. How did she handle it? Not with begging.

She stoicly, listlessly stood there and listened to him tell her he was leaving. She even let him yell at her. All the while, she watched the floor and distracted herself so she didn’t cry. Because she wanted to. Badly. He left, she shut herself in her room. Then, and only then, did she allow herself to let go and let it all out.

And you know what? Because she had been holding it in, and the tension had been building around it, it made the entire scene that much more powerful. That much more moving. Enough to move a reader (and writer) to tears over this character.

Do you want to hear a reader say, “Oh my gosh, I loved your book so much! It made me cry!”? Then maybe you should consider employing the method of hold it in until it has to get out.

If people are all fundamentally similar, doesn’t that mean your characters wouldn’t want to gush all over other characters? If your characters are real, why would they spill their guts with no reasonable motivation to do so?

Ponder that this week.

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I wanna hear about the first book that EVER made you cry. Or why you haven’t ever cried at a book. Ready? Set. GO!

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.