Have I Told You?

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Have you guys heard? I’m posting a series of short stories on Kindle for .99 cents each! I’d like to take some time today to give you an overview of what you can expect from this series.

The Realities serial stories start with five young adults, each trapped in a different world with different dangers. Some are wise and some are flighty. Some are afraid while others face their worlds head-on. Only one character connects them, and he is generally known as The Ringmaster.

As each story unfolds, these five young adults will find ways to communicate with one another, and they will have to decide which realities aren’t real at all. Whether you like dystopia, fantasy, or good old-fashioned action and adventure, these stories have something for everyone and the best part ? Each one takes thirty minutes or less to read. You can read them on the go! Anywhere you want, because they’re so accessible and easy to get through.

Intrigued? Good, I’m glad.

You can find the first two stories (Silas and Kennedy) on Amazon and the Kindle app. Once you get through the first two, you can pre-order Christian and it will be automatically delivered to your Kindle or Kindle app on March 1, 2017!

As a bonus, I’m going to let you in on the titles for the rest of the series! You ready? Let’s take a look.

  1. Silas
  2. Kennedy
  3. Christian
  4. Ariel
  5. Giselle
  6. Dawnbreakers
  7. Fears and Secrets
  8. Nightmares of a Generation
  9. Hauntings
  10. Sands of Time
  11. Enter the Flood
  12. The Circus Trap
  13. Invasive Maneuvers
  14. Creatures and Beasts
  15. Whispers of Death
  16. End of the Tunnel

And there you have it, my friends! Aren’t you so excited to find out what happens in each of these stories? Me, too. I hope you look forward to it half as much as I do and I’ll see you on the other side.

Realities: which will you choose?

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

Let’s Talk Plot…

Plot. The heart of story. The lifeblood of any good book. Or movie. Plot is vitally important to the forward propulsion of the known universe. Without plot, the entire entertainment world would cease to exist. Books, movies, songs…

You get the point. Plot is important. Very important. But, what makes up plot?

I’m so glad you asked!

Plot can technically be broken down into 2 parts: Rising action and falling action. However, I never did like to fit into the cookie-cutter writing mold, so my favorite way to explain it contains several key points in the story. 5 to be exact.

Inciting incident. Turning Point. Point of no return. Crisis. Showdown. (Bonus 6th: Wrap-up.)

So, what I plan on doing today is to walk you through a successful plot piece by piece. Don’t worry, I’ll explain how each piece of the puzzle fits.

Inciting Incident:

First, let me tell you what this literally means. Incite = to encourage or stir up. Incident = an event or occurrence.

So, the Inciting Incident is literally an event that stirs things up. It’s the part of the story (generally very, very close to the beginning) where everything is tipped off balance. It is what makes the character(s) have to go on that quest. The event that changes everything.

The inciting incident in Jane Austen’s Pride and Prejudice is introduced in the first pages. “My dear Mr. Bennett, have you heard the Netherfield Hall is let at last?” (It’s paragraph 3, people. That woman knew how to throw you in at the exact moment everything changes.)

This is most definitely the inciting incident because it is the moment we know something different happened in their life. Before this sentence, they were just minding their own business, going about their own life. After this sentence, Mrs. Bennett spends the entire book talking about Netherfield and Mr. Bingley. (Anyone who doesn’t know what happens at the end of this book is not a true book nerd.)

In the hilarious and widely popular movie The Princess Bride, the inciting incident is a little farther in, but not much. Did you guess it? Yep, the inciting incident is when Buttercup hears that Westley has been killed by the Dread Pirate Roberts. (Eek! Not the Dread Pirate Roberts! No, he can’t die! Is this a tragedy? But, I digress…)

Turning Point

 This is usually my favorite part (I will say this a lot, don’t pay attention. My favorite part changes from hour to hour) of the story. This is when everything turns upside down. The unthinkable happens! Suddenly, there is no choice but to set out on the journey that will propel us to the end of the story. Something has to be done.

A good example of an epic turning point can be found in the movie National Treasure. The turning point comes the instant Ian declares he is going to “borrow” the Declaration of Independence and then proceeds to accidentally blow up the Charlotte.

Turning point? I think yes. That is the very moment that Ben Gates knows he has to do something. He can’t let Ian steal the Declaration! It propels him to begin his epic journey/continue his treasure hunt. It ups the stakes. That, my friends, is what a turning point does.

Point of No Return

Sounds pretty ominous, right? It is.

The Point of No Return comes usually about halfway through the story. This is literally what it says it is. A point where something happens that won’t allow the character to go back to where he/she was before. It makes them change and forces them to finish what they’ve started, even if they don’t want to. They no longer have a choice.

In my novel, Rose-Colored Glasses, the point of no return is when someone starts to meticulously target the main character (Rosie Callahan). The second main character/love interest knows that he can’t back out. He has to help her. He no longer has an option to leave or to let it go.

Same thing with one of my favorite movies, Next. The instant the government and the villains pull the love of his life into their twisted schemes is the instant that Cris Johnson decides he can’t NOT help the government. His point of no return is that he refuses to endanger the woman he loves.

Crisis

Pretty self-explanatory. Crisis. A point when all is lost.

This is usually achieved when everything has gone wrong. The plan has backfired, the bad guys are hot on the main character’s trail, and the love interest usually hates him. The world seems upside down and you’re actually afraid this character might not come out of this.

Then, right as that first tear builds in your left eye, something else terrible happens. Something that you never expected. Yet another aspect of the story goes completely berserk! Someone dies, or is kidnapped. The main character has an emotional break. SOMETHING! And you just want to scream at the page. Or the screen.

This is a crisis.

Showdown

Showdown is what people usually call a climax. The final battle.

This is when Thor faces Loki in Thor. It’s when Emma and Mr. Knightley finally communicate in Jane Austen’s Emma. Any time someone is finally getting somewhere, through words or fisticuffs, and it’s the most intense part of the book or movie, it is definitely the showdown. This is where everything will be resolved. Where someone determines whether this story is a tragedy, or if it has a happy ending.

Showdown demands an element of suspense. It demands intensity. And it should always be rewarding to your readers/watchers.

Bonus 6th: Wrap-up

Where we resolve all our storylines and write “they lived happily ever after”. The wrap-up is essential for a good read. If you don’t wrap it up, people will feel like you ripped them off. Let them know what happens, and they’ll thank you.

The only exception to the rule? When you’re writing a series or sequel, it’s okay to let a few storylines hang open, so that you can use them later on. Still, wrap up as much as you can and your fans will thank you later.

And this is PLOT.

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

A Compelling Story

Have you ever read a book you literally CANNOT put down? How about a movie during which you refuse to budge from your seat, because you don’t want to miss something? Have you ever noticed how it seems to take so little to make a fan out of you? Books and movies like this generate tons of fans because of one very specific thing.

They have a compelling story.

If you’re a writer, you know that everything I’m about to say in this paragraph is true. You’ve read “that” book, and you’ve seen “that” movie. You know the ones I’m talking about. You think to yourself “I can never write something as good as that! Listen to that dialogue! Look at those descriptions! Nope. I’ll never be that good.”

I have good news and more good news for you. The very fact that you want to write something that good means you care. And if you care, maybe a reader will too. The second piece of good news is that you CAN write a compelling story. All you need are a few simple tools.

TOOL #1 – Strong Plotline

What is a strong plotline, you ask? Let me explain a thing.

Plot (or “plotline”) is simply your story itself. It is “Once upon a time…”, “The End”, and everything in between. It is “Fade In”, “Roll credits”, and everything in between that, too. Plot is story, and if you don’t have a strong plot, you’re in deep trouble.

A strong plot consists of a beginning, a middle, and an end. Beginning consists of your set up and inciting incident (more on this later). Middle consists of everything that moves your hero/heroine toward the climax. Middle is a freight train pushing your hero/heroine farther than they ever wanted to go and bringing them situations they should not reasonably recover from. End is your darkest point, through the climax, and into the wrap-up. I have found that the easiest way to divide these is as follows: 1/4 beginning, 2/4 middle, 3/4 end.

(NOTE: If you are writing a novel, it’s easiest to go by word count. Say you’re writing a 60,000 word novel. That makes it a 15,000 word beginning, 30,000 word middle, and another 15,000 words for the end. Screenplays go by pages. A typical Screenplay is approximately 120 pages. Therefore… 30 page beginning, 60 page middle, 30 page end. Got it? Good!)

TOOL #2 – Strong Characters

Let’s face it. If you don’t have a character that people love (or love to hate), then you’re already dead in the water. People read books because they care what happens to the people. Yes, plot is important, but without strong characters your story won’t go anywhere.

For me, strong characters are flawed characters. Also known as relatable characters.

For the sake of sanity, let’s take some notes from those crazy, wacky Tumblr groups known as FANDOMS!!! (*gasp*! NOOOO! NOT THE CRAZY PEOPLE!)

Yes, the crazy people. Think about it. Why are they crazy? Because they love those characters (or that one character) and they have to tell the world about it. They love them so much that they write their own stories to move the character forward. They literally put that character in their own life. And those villains? Oh, yeah, they have split followings. People either want to marry them or want to kill them.

So, what makes these crazy people fall in love with the characters?

They’re flawed. They have issues, and quirks, and they don’t get along with everyone, and people can relate to that.

(More of character development and how to write flawed characters is coming in the following weeks)

TOOL #3 – Passion

Honestly, this is the third and greatest essential tool you need. Without passion for your story, you’ll never finish it. You’ll start and let it die. So be sure you are passionate before you begin.

How do you know if you’re passionate about it?

Do you think about this story day and night? Does everything you see, experience, or read correlate back to it? Do you see your characters in fashion photos and your setting in travel guides?

If you answered yes to any of these, you are passionate about your story. Don’t give it up. Keep moving, keep writing, keep dreaming. The world needs more dreamers, and the world needs your book.

You are the only one who can write your book, your way. Don’t let it go.

Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.