Why You Should Hide Fluff Inside Action

Something I have learned recently: hide fluff inside action.

Let me clarify. It isn’t exactly “hiding”, but rather inserting in the middle. Still confused? I’ll explain.

I have recently fallen down the K-Drama wormhole (don’t judge, we all have one quirky obsession), and it has actually been very good for my writing. Being a writer, I watch with an eye toward what the writers were thinking when they pieced the story together. One of the first things I noticed is how hard I began to ship characters. (For those of you who don’t speak the language of “ship”, let me know and I’ll write you a post.)

I digress. When I started to realize how squeal-worthy these shows were, I (naturally) began to dissect WHY. I discovered something particularly interesting.

Generally, when you learn to write, you start to break down what needs to happen into scenes and the like. You ask, “what is the purpose of this scene?” and break it down into Action, Love, Filler, Plot, etc.

But what if you didn’t have to? What if one scene could serve multiple purposes?

You see, that’s what I began to discover. I shipped these characters so hard because their lives weren’t dissected into different categories. Everything intermingled. Everything in their lives touched.

And the best part? The most squeal-worthy fluff scenes weren’t fluff scenes at all.

My favorite scenes began to take on a pattern. Anyone who knows me also knows that I LOVE ACTION AND ADVENTURE AND DANGER. Hands down one of my favorite things to read, watch, or write. It’s so exciting! So, naturally, my favorite scenes had danger and action. But then I realized, right in the middle, the writers would throw in a sprinkling of fluff.

A kiss before the hero runs into certain death.

A heroine reaching for her hero’s hand when she gets scared or injured.

A simple confession of “I like you” as they realize they may never get to say it again.

And then, right on with the action and adventure. As if nothing ever happened. (*Cue me, screaming at the screen* YOU CAN’T JUST LEAVE US LIKE THAT! THAT’S CRUEL AND UNUSUAL PUNISHMENT!)

Thus, they have created the need for more. As writers, I think that’s a cue we should learn from. Sometimes, less is more. People want to push characters into a relationship. We’re hard-wired to think two people in the story should end up together. If you give them an inch, your readers will take it a mile.

I personally believe — after much trial and error — that fluff as its own scene can be grating. However, if you give a taste of fluff inside a much richer, fast-paced scene, people will come back for more. They’ll crave that relationship and all it entails.

Raise the stakes, my friends. Let your purposes intermingle and bleed into each other. Life is messy, so why can’t our character’s lives be a little more realistic in that way?

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March WIP Excerpt!

I’m so excited to implement a once-a-month excerpt from my current WIPs. Whatever I’m working on, you get to see some sneak peeks once a month! I’m so excited for you to join me on this journey!

Here’s your first excerpt and I totally hope you enjoy it!

The lights came up. Hadassah inhaled sharply.

The hosts spoke, but she could hardly hear them over the blood rushing in her ears. Her gaze traveled over the judges, to the first rows of the audience, illuminated by the bright stage lights.

As she feared, eyes bore into her with steely determination. All but one bowed head full of brown waves. A head she recognized all too well.

Why didn’t Morgan look up? Why did he look so concerned? Something had to be wrong. He never would have looked away if something wasn’t wrong. Oh, she wished she could see his face, to look into his eyes and find the dilemma.

Morgan’s head snapped up and his eyes found hers.

Hadassah blinked. Had someone said something? She couldn’t remember, or she hadn’t heard. Her own gaze flicked to the hosts, who both smiled at her encouragingly. One of the girls next to her nudged her toward the one last circle in front of her. When did they call all those other names?

This had to be a sign of a breakdown. There wasn’t another explanation. She should have heard all that, her ears worked fine. How did she miss it?

The crowd’s cheers deafened her. Hadassah clenched her fingers in her skirt instead of taking the step back she wanted. Keep up the facade, she reminded herself as she took short, quick breaths through her nose. Don’t freak out on them. They want someone beautiful, not fragile.

The hairs on the back of her neck stood up. When she thought of her stalker, a sinking in her stomach accompanied it. This time, it was more butterflies than Titanic. Hadassah lifted her eyes and found a pair of deep green, stormy eyes staring back at her. Her breath caught and her chin lifted, ever so slightly.

Why I LOVE NaNoWriMo

Okay, I admit, this is not one of my typical posts. And yet it is, in a way. Whatever, it’s confusing, moving on.

I’ve read both good and bad things about NaNoWriMo. Some people say it’s a horrible idea to try to write a complete novel in only 30 days. Others say it’s the ONLY way to write a novel. Some hesitant, on-the-fence people say they can see it either way.

I think NaNoWriMo rocks.

Why?

Because it’s actually a really good idea, and there are multiple reasons why.

Reason 1: Writing a novel in 30 days is the best thing that ever happened to me.

And why is that, you ask? Because I stopped second-guessing myself. I stopped over-analyzing. I stopped telling myself that there was “no way” I’d ever write something good enough. I just wrote. And wrote. And wrote.

Because I had to write so many words per day and had so few days to write it all down, my inner editor shut up and let my creative genius shine through. My first NaNoWriMo was 2014, and that novel – the one that came out of my creative side, not my formula side – is still one of the best pieces of work I’ve ever done.

Reason 2: Writing a novel in 30 days stretched all my creative muscles.

The first five (or so) days were awesome. I wrote and wrote and wrote. Finished a few chapters. And then it happened. I got stuck. Suddenly, I had no idea where the plot was headed. I had no idea what happened next. I was only about 5,000 words in. No! I couldn’t fail! This couldn’t be happening!

Needless to say, I didn’t have weeks to ponder and work through my writer’s block. I had hours. Maybe.

So I did what any self-respecting novelist would do.

I freaked out. I ate half a pan of cookies. And some chocolate. And a couple caramels. I paced my room for a while.

And then I sat back down at my computer, re-read the last few sentences, and pushed on. It was painful, not knowing where the story would go next. And some characters died in the process. But I did it. I stretched that creative muscle and overcame writer’s block in record time. And, as much as I loved them, I see now those character deaths were necessary to progress the plot.

Reason 3: NaNoWriMo is just plain fun!

Who cares if anyone else ever reads your NaNo Novel? The journey from blank page to 50,000+ words is FUN!

Whether it’s hanging out with the Word Sprinters on Twitter, joining a virtual write in on Youtube (via Google hangouts), or actually meeting up with fellow WriMo’s in your area, it’s nice to know that there’s an entire community of writers around the globe backing you up.

If for nothing else, join the NaNo community for one month and get some advice from writers around the world. You never know if they’ll have a different perspective on writing that you’ve never thought of before. It could be the best experience of your life. But you’ll never know unless you try.

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So… Are you planning on joining NaNoWriMo this year? Why or why not?

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

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