Learn the Language

What’s the first thing you do when you visit or move to a foreign country?

You learn the language.

And not just the spoken language. You learn the gestures that are permissible or impermissible. You take time to learn how their bartering system works. You learn what the people from the country love to do and what they’re not so fond of. You learn every aspect of the language they speak from the inside out.

“But, Megan, what does this have to do with writing?”

Good question. And one I’m here to answer.

When people leap into their preferred book or movie writing genre (fantasy, sci-fi, action/adventure, etc.), most of them don’t take time to learn the language. It’s the ones that do take that time who excel in what they’ve set out to do.

“What do you mean by ‘learn the language’?”

What do I mean? I mean that each genre has a language you should be learning.

Do a study for me, just to humor me. Pick up a Science Fiction book or movie and really listen to what they’re saying. You’ll probably hear a lot about lasers, teleportation, spaceships, and other fun stuff. Now pick up an Action/Adventure. Bullets, car chases, knives, and stalkers.

If you look at each genre, through multiple stories, you will find that each has its own set of rules and its own language to learn. People who read or watch those genres all the time have an innate ability to speak that language fluently, and without really thinking about it.

If you’re going to write a specific genre, I suggest you pick up a book or movie and start learning the language before you take one step further. Fans will know if you really speak their language or not, and if you don’t (I hate to say it) they’ll put down your stuff and call you a fake.

Just like any other language, the genre languages are more easily learned when you immerse yourself in them. When I sit down to write an Action/Adventure, I make sure I’ve spent weeks reading that genre and watching all my favorite action movies. The more time I spend immersing myself in those things, the better my writing becomes. Why? Because I’ve learned the language.

Don’t jump into writing a fantasy novel when you’ve been on a steady romance-only diet. (Just an example, exchange any two genres in there.) What you put in is what will come out when you sit down to write. Please, please, please do the world a favor and immerse yourself in the language. Learn it until you can’t possibly speak anything else. Until the syntax and sentence structure are fused into your bones. Trust me, your readers and I will thank you later.

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Your genre and your favorite story therewithin (book or movie). I want to know!!!

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

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Kill the Bird

“Kill the bird.”

Okay, I totally realize that must seem like really strange advice to those of your reading this, because you have no point of reference for it. (“Kill the… bird? Why are we killing animals? What kind of sick sadist are you?”) But, trust me, it’s pretty genius. Just go with me on this, I’ll explain.

Recently, I’ve been thinking a lot about the little things in books. You know, the chair the character is sitting in or the mug she pulled from her cabinet. Little things.

Forget the big things for a while with me. Put aside the characters, the major settings, the plot holes, and even the main theme. Got it? Good. Now lean a little closer and study that little thing. Like a prop on a movie set. Pick it up, turn it around. Examine every little part of it.

“What does this have to do with killing a bird?!”

Shh. Calm down. Keep studying that little prop. Notice that crack on the side of the glass. Yeah, and what does it really say right there? Good. You’re doing great.

NOW I will explain what any of this has to do with a bird.

Like those things you were just examining, a pet is a “little thing” in a book. Like a prop. They’re there, but they don’t always show up as a major character.

For instance: I’ve been writing a story with a writer friend, and in this story there is a minor character that is a bird.

(A BIRD! I get it! Wait… what? You killed the bird?! Talk about a spoiler!)

Wait. Hey, hold on. You’re getting waaaay ahead of me here. Back up a tick.

In this story, there is a bird. Said bird is the pet of one of two main characters. Over the course of this story, we’ve grown very attached to this bird. VERY attached. To the point that, when bandits attacked and the bird went missing, both of us were very distraught because we honestly hadn’t anticipated this and had no idea what happened to the bird. Was it dead? Was it okay? Had it pecked its attackers to death?

If you’re still jumping ahead of me, you’ll see where I’m going with this. If you are with me, congratulations! Now I can tell you what the very important lesson is in this blog post.

We’re worried about the bird.

Whaaa…? (cue minion confusion face)

Let me repeat. We. Are worried. About the BIRD.

Remember when I said the bird wasn’t even that big of a character? Turns out, it didn’t have to be. For whatever reason, people (bless ’em) have the tendency to overlook the big things and pay attention to the small ones.

When we messed with that one little, tiny piece of the story, things exploded. (Not literally, but that would have been cool).

The two main characters bonded over a lost pet. It set up a great scene for the bird’s owner to have some introspection time and created a host of opportunities for metaphorical situations.

Again, for some reason, people are weird. Kill a character? Pfft, they’ve seen it before. No biggie, there are always ways to replace them or bring them back. Kill a pet or smash a small object? They go into overtime worrying (and some crying).

Are you looking for a way to make your writing more impactful? To rip out their hearts and dance on their graves while they weep uncontrollably over your book? (It sounds more maniacal than it actually is). If so, kill the bird. People quickly get attached to animals, pets especially. And what could be more evil than a villain who can kill an innocent animal and not feel an ounce of remorse?

I feel like I should end by saying that after a long and terrible ordeal (with lots of agitation and tears on all the writers’ parts), the bird is fine. She’ll live and life will go on. (AKA: no animals were harmed in the making of this blog post).

So… How are you going to make an impact? What can you do to “kill the bird”?

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I want to hear your stories about the small details!!! Whether you read it or wrote it, let me know what small detail changed to make you cry in a story you love.

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

4 Lessons About Writing From “Hoodwinked!”

For those of you who are now wondering what in the world “Hoodwinked!” is, I will explain. “Hoodwinked!” is not only fun to say, (go on, try it!) but is also an animated movie from the early 2000s. The premise? To learn the “true” story of Little Red Riding Hood, a tale distorted by time. (Let it be noted that I know a lot of people who don’t like this movie, but I happen to think it’s pretty awesome and will continue to like it despite protests.)

There are tons of lessons we can learn from fairytales themselves, but that’s a blog post for another time. In this case, we’re taking lessons from the movie loosely based on the fairytale. They are completely different. So…

#1 – No Character is an Island Unto Himself

It’s true folks, this movie made me sit up and see the light on that point! No character exists in his own little bubble. All their lives interconnect, even when they don’t realize it.

There are several characters in “Hoodwinked!” who, at the beginning, seem random and unessential. Until you start to figure out the story behind the story. Suddenly, you realize these characters aren’t random and they are very essential to understanding what’s going on in the Forest. They bring with them a depth the story wouldn’t have had if they had been left out.

So don’t underestimate those characters that just happen to show up for a brief scene. What if they’ve crossed paths with your hero or villain (or both!) in the past? What if they know more than they’re telling? Think about how their life connects with the other characters’ lives, then see what depth your story has just developed.

#2 – Nothing Should Ever Be As It Seems

“Hoodwinked!” has one major writing advantage to other kids’ movies. Nothing turns out like it seems.

That crazed axe murderer? Not a crazed axe murderer at all. Granny floating through the clouds? Logical explanation. A seemingly random avalanche? Not random at all.

When writing, we should remember that people make assumptions, and those assumptions are usually very wrong. Don’t let your characters figure things out too quickly. Let them assume what they just saw was something completely different than what it actually was. It makes for conflict, and conflict makes for a great story.

#3 – Villains Aren’t Always Cut-And-Dried, Sometimes They’re Cunning

I won’t give the spoiler on this one, but the villain isn’t who you think it is. He’s unassuming. He’s a friend. But, behind the scenes, he’s orchestrating everything to make it look like someone else did it.

Villains don’t always seek the attention. Sometimes they’re villainous because they DON’T want the attention. They want someone else to take the fall so they can pick up the pieces and make a profit. Think outside the box when it comes to villains. Let them be someone you don’t think a villain normally is. Surprise us by twisting the story around until the REAL villain jumps out and says, “You didn’t see that coming?”

#4 – Keith Is Not A Scary Name

“…And Keith… get a scarier name. Really, who’s going to be afraid of a guy named Keith? ‘Ooh, I’m so scared, it’s… Keith.’ ‘Everybody look out, here comes… Keith’.”

The longer you think about it, the more you realize he’s right. Keith is just not a scary name. Friendly, maybe, and totally hero-sidekick-available. But not scary. Because of this movie I now realize I can never name a villain… Keith. This is a very important lesson, folks. Be sure to give your villain a scary name like Gunter or Nash or Vadislev. Not… Keith.

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Have you seen this movie and will you fangirl with me? BONUS QUESTION: Can you spot the Marvel Cinematic Universe reference in this post?

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You!

Keep Your Eyes Open

Okay, guys, I’m soundtracking this one. In 3… 2… 1…

Why this theme? For one simple, very good reason.

The best piece of writing advice I have ever gotten came from a book I read recently. What was this sage piece of wisdom? Let me share it with you: “Don’t look away.”

Three simple words that changed my story method forever.

Why, you ask? Because until that point, I had been looking away. Away from embarrassing moments. Away from painful moments. Away from moments that could make you cry they’re so wonderful or could make you cry for other reasons. I had been stopping before I hit reality. And what’s the one thing every writer must bring a touch of to their story? That’s right. Reality.

As writers, our first and most important job is to tell a story. But our second most important job is to not look away from those everyday moments that make life… well… life. How are we supposed to bring readers to their knees or make them swoon or laugh or cry if we look away before the full effect takes place?

I’m not just talking about when we’re researching, either. Yes, it’s good to watch an entire moment play out before you, but the whole point of keeping your eyes open is so you can write it accurately. What does the audience gain if you end a touching (thrilling, tear-jerking) scene before its full conclusion, or if you skip the parts you think are “too emotional”.

Answer: nothing.

I know it’s difficult to write and it drains you emotionally, but I beg of you to put in those raw emotions. That’s what makes your characters real.

Is she heartbroken? Show her sobs.

Is he angry? Show his rage. ALL of it.

Study body language and psychology. See what makes your characters tick and how they react to a situation that throws them out of their comfort zone. It’s okay to do this! You know why? Because the second best piece of advice I’ve gotten is: “Kill your darlings.”

Don’t be so attached or so fearful for a character that you just can’t hurt them. Reality, remember? Everyone gets hurt, that’s the horrible truth. Hearts break, people lie or miscommunicate, and everyone has bad days. Just look around you. That girl sitting in the corner Starbucks booth all alone? What’s her story? That busboy in the restaurant that you pay absolutely no attention to – Why does he work there? The mom with three little kids in the grocery store – Is she alone or did she choose to be by herself?

Why?

That is the biggest question you should ever ask yourself. Why do things happen around you? Why are people where they are at this moment. Listen for the stories and when you find them: Don’t. Look. Away.

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What’s the best piece of writing advice you’ve ever gotten?

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You

The Art of Illusion

You’ll hear me talk A LOT about how much more powerful it is to elude to something than to tell it straight out. To me, it’s almost as important as “Show, Don’t Tell” and quite honestly it’s probably technically covered in that statement. However, it seems some people just don’t quite get it. So let’s expound.

“The closer you look, the less you’ll see” is the theme of a fun little movie called Now You See Me. Most magicians use this trick. Why? Because it works. Magic is all about the art of illusion, and how do people refer to the best books and movies?

“It was magical.”

So let’s take the magician’s theme and apply it to ourselves, writers. There are several different things that demand a “far away” look when we’re writing. I’ll break them down for you and explain what I mean by “far away look”.

#1 – Character descriptions.

You know you’ve read an over expository character description before. “She had hair like… and eyes like… her teeth were… and her ears… don’t forget her hands… did I mention the exact clothes she was wearing?…” And suddenly we feel trapped inside a box. That’s not AT ALL how we pictured her (whoever she is).

When I write, I tend to give one or two traits of my character and leave the rest up to imagination. I’ve found I like this from other authors, which is why I try to follow their lead in my own writing. For example: my character Rosie Callahan, I only told the reader 2 things about her physical appearance. She’s 5’2″ and she has curly hair. I left the rest up to them.

I think you’ll find that if you stick to the important things about the character, like how they react to others and what kind of speech patterns they use, people will fill in the physical description without much help.

#2 – Back Story

I’m not saying don’t tell people what happened in the past, I’m saying expose it slowly. Have the character say something or do something that ELUDES to their backstory. They had a convict dad?

“I won’t be like him.”

Simple as that. And, yes, I’ve used that one. Another one I’ve used: The girl has a history of people leaving her without a word.

“Just… don’t leave without saying goodbye. Okay?”

Think through what your characters are doing. They deserve the thought it takes to weave their backstory in and out through their actions and words.

TIP: you have a backstory too, but you don’t tell everyone you meet. Everything that happened in the past is your backstory, and it reflects itself in what you do and say now, but not in an expository way. It is what it is, and nothing more. You don’t make a big deal about it. So why do your characters whine on and on about their past?

#3 – Relationships

This REALLY goes along with “Show, Don’t Tell”. The best advice I ever received on this subject was “loving someone means never having to say I love you.” SHOW that your characters love each other, or hate each other, or have known each other for a long time by what they do and say.

This all goes back to illusion. With vague answers and short flashes into the backstory, you’re giving the illusion of a full life behind the character, which in turn brings them to life. Why go into all that exposition when you can achieve the same thing by a simple flick of the wrist?

Remember, the closer you look, the less you’ll see.

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

The Procrastination Factor

You know the feeling. “I should write, but I don’t want to get up/move/start the computer/turn off the TV/stop this game.” (Or any other plethora of excuses.)

How can you be expected to write a novel or complete a screenplay when half the time you should be writing is spent online? (Yes, I understand, the internet is more distracting than life itself. Been there, done that.)

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In fact, the reason we’re talking about this today is because I am such a fantastic procrastinator. Really. I try to write these posts early, but this week I find myself sitting down at the computer at the last minute, feeling harried. Not the best way to write.

I know you can understand. My downfall is usually Pinterest. While it is great for writing inspiration, it is also great at stealing writing time. I have had to learn to balance.

We’re not talking ying-yang, fen-shui type of balance, no sirree. We are talking vegetable to sugar ratio, H2 to O type of balance.

And, believe me, you will feel so much better after you’ve actually written something.

Tip #1 – Ration yourself

Do you mean 2-cups-of-sugar-per-week-during-WW2 type of ration?

Yes. Yes I do. As you get on the internet (or go to bake that cake, or turn on the television), force yourself into submission. Set a time limit and stick to it. You shouldn’t need more than 2 hours to do everything you need to do, and generally anything beyond that is self-indulgence and leads to procrastination. So, repeat after me.

I will set limits for my time spending. i WILL set limits for my time spending.

Budget your time wisely, my friends.

Tip #2 – Set a schedule

(To instantly make it more fun, set a SHED-ule)

I do this and I’ve found it’s really helpful. It’s easy, too.

Okay, I’ll walk you through this slowly.

If you are someone who needs everything written down so you can see your life in print, take out your day planner. Come on, take it out, I know you have one. If you’re someone who loves to socialize and generally fill up your time with parties, dates, and outings, pull up the alarm on your phone. If you’re someone who has to have control of everything or you go bonkers, and heaven forbid that someone else tell you how to live your life, write this down. If you are someone who really does just procrastinate because, hey, why stand when you can sit? You’re my people and you need to get your mind ready to be boggled.

People group A: find a few hours of completely free space in that day planner. In this blank space, write “Writing Time”. You’ll stick with it, so that’s all I need to tell you.

People group B: Set a new alarm to go off once a day. In this alarm, write the amount of time you will spend writing. Do it.

People group C: Write down when you will write every day and stick with that schedule. Don’t let people pull you away. It’s YOUR time.

People group D: Close your eyes. Take a deep breath. Picture a normal day for you and find the time you usually crash for several hours in front of the TV. Subtract 2 hours and use those two hours — same time every day — to write. Stick with it, even when it’s hard.

Tip #3 – Unplug

Craziness. I speak craziness. Does this mean what I think it means?

YES.

On most computers there is a little button that will disconnect you from the internet. On ALL televisions and remotes, there is this little button labeled “off”. Heck, unplug the TV from the wall if you need to. MAKE TIME to write.

Do you think your favorite author got to where they are right now because it was easy for them? No. They made sacrifices. What makes you better than they are?

Turn off those devices that distract you. Set the timer for the cake in the oven and come back later. Make time. You’ll find that making that time gets easier the longer you do it.

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

Let’s Talk Plot…

Plot. The heart of story. The lifeblood of any good book. Or movie. Plot is vitally important to the forward propulsion of the known universe. Without plot, the entire entertainment world would cease to exist. Books, movies, songs…

You get the point. Plot is important. Very important. But, what makes up plot?

I’m so glad you asked!

Plot can technically be broken down into 2 parts: Rising action and falling action. However, I never did like to fit into the cookie-cutter writing mold, so my favorite way to explain it contains several key points in the story. 5 to be exact.

Inciting incident. Turning Point. Point of no return. Crisis. Showdown. (Bonus 6th: Wrap-up.)

So, what I plan on doing today is to walk you through a successful plot piece by piece. Don’t worry, I’ll explain how each piece of the puzzle fits.

Inciting Incident:

First, let me tell you what this literally means. Incite = to encourage or stir up. Incident = an event or occurrence.

So, the Inciting Incident is literally an event that stirs things up. It’s the part of the story (generally very, very close to the beginning) where everything is tipped off balance. It is what makes the character(s) have to go on that quest. The event that changes everything.

The inciting incident in Jane Austen’s Pride and Prejudice is introduced in the first pages. “My dear Mr. Bennett, have you heard the Netherfield Hall is let at last?” (It’s paragraph 3, people. That woman knew how to throw you in at the exact moment everything changes.)

This is most definitely the inciting incident because it is the moment we know something different happened in their life. Before this sentence, they were just minding their own business, going about their own life. After this sentence, Mrs. Bennett spends the entire book talking about Netherfield and Mr. Bingley. (Anyone who doesn’t know what happens at the end of this book is not a true book nerd.)

In the hilarious and widely popular movie The Princess Bride, the inciting incident is a little farther in, but not much. Did you guess it? Yep, the inciting incident is when Buttercup hears that Westley has been killed by the Dread Pirate Roberts. (Eek! Not the Dread Pirate Roberts! No, he can’t die! Is this a tragedy? But, I digress…)

Turning Point

 This is usually my favorite part (I will say this a lot, don’t pay attention. My favorite part changes from hour to hour) of the story. This is when everything turns upside down. The unthinkable happens! Suddenly, there is no choice but to set out on the journey that will propel us to the end of the story. Something has to be done.

A good example of an epic turning point can be found in the movie National Treasure. The turning point comes the instant Ian declares he is going to “borrow” the Declaration of Independence and then proceeds to accidentally blow up the Charlotte.

Turning point? I think yes. That is the very moment that Ben Gates knows he has to do something. He can’t let Ian steal the Declaration! It propels him to begin his epic journey/continue his treasure hunt. It ups the stakes. That, my friends, is what a turning point does.

Point of No Return

Sounds pretty ominous, right? It is.

The Point of No Return comes usually about halfway through the story. This is literally what it says it is. A point where something happens that won’t allow the character to go back to where he/she was before. It makes them change and forces them to finish what they’ve started, even if they don’t want to. They no longer have a choice.

In my novel, Rose-Colored Glasses, the point of no return is when someone starts to meticulously target the main character (Rosie Callahan). The second main character/love interest knows that he can’t back out. He has to help her. He no longer has an option to leave or to let it go.

Same thing with one of my favorite movies, Next. The instant the government and the villains pull the love of his life into their twisted schemes is the instant that Cris Johnson decides he can’t NOT help the government. His point of no return is that he refuses to endanger the woman he loves.

Crisis

Pretty self-explanatory. Crisis. A point when all is lost.

This is usually achieved when everything has gone wrong. The plan has backfired, the bad guys are hot on the main character’s trail, and the love interest usually hates him. The world seems upside down and you’re actually afraid this character might not come out of this.

Then, right as that first tear builds in your left eye, something else terrible happens. Something that you never expected. Yet another aspect of the story goes completely berserk! Someone dies, or is kidnapped. The main character has an emotional break. SOMETHING! And you just want to scream at the page. Or the screen.

This is a crisis.

Showdown

Showdown is what people usually call a climax. The final battle.

This is when Thor faces Loki in Thor. It’s when Emma and Mr. Knightley finally communicate in Jane Austen’s Emma. Any time someone is finally getting somewhere, through words or fisticuffs, and it’s the most intense part of the book or movie, it is definitely the showdown. This is where everything will be resolved. Where someone determines whether this story is a tragedy, or if it has a happy ending.

Showdown demands an element of suspense. It demands intensity. And it should always be rewarding to your readers/watchers.

Bonus 6th: Wrap-up

Where we resolve all our storylines and write “they lived happily ever after”. The wrap-up is essential for a good read. If you don’t wrap it up, people will feel like you ripped them off. Let them know what happens, and they’ll thank you.

The only exception to the rule? When you’re writing a series or sequel, it’s okay to let a few storylines hang open, so that you can use them later on. Still, wrap up as much as you can and your fans will thank you later.

And this is PLOT.

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Did you like what you read today? Do you have questions, comments, or cat-killing curiosity about something? If so, please either comment on this post or visit the Contact page and drop me a note!

It was good to have you as a visitor today! Please drop by again, or become family by following the Write Knowledge. Thank You.

A Compelling Story

Have you ever read a book you literally CANNOT put down? How about a movie during which you refuse to budge from your seat, because you don’t want to miss something? Have you ever noticed how it seems to take so little to make a fan out of you? Books and movies like this generate tons of fans because of one very specific thing.

They have a compelling story.

If you’re a writer, you know that everything I’m about to say in this paragraph is true. You’ve read “that” book, and you’ve seen “that” movie. You know the ones I’m talking about. You think to yourself “I can never write something as good as that! Listen to that dialogue! Look at those descriptions! Nope. I’ll never be that good.”

I have good news and more good news for you. The very fact that you want to write something that good means you care. And if you care, maybe a reader will too. The second piece of good news is that you CAN write a compelling story. All you need are a few simple tools.

TOOL #1 – Strong Plotline

What is a strong plotline, you ask? Let me explain a thing.

Plot (or “plotline”) is simply your story itself. It is “Once upon a time…”, “The End”, and everything in between. It is “Fade In”, “Roll credits”, and everything in between that, too. Plot is story, and if you don’t have a strong plot, you’re in deep trouble.

A strong plot consists of a beginning, a middle, and an end. Beginning consists of your set up and inciting incident (more on this later). Middle consists of everything that moves your hero/heroine toward the climax. Middle is a freight train pushing your hero/heroine farther than they ever wanted to go and bringing them situations they should not reasonably recover from. End is your darkest point, through the climax, and into the wrap-up. I have found that the easiest way to divide these is as follows: 1/4 beginning, 2/4 middle, 3/4 end.

(NOTE: If you are writing a novel, it’s easiest to go by word count. Say you’re writing a 60,000 word novel. That makes it a 15,000 word beginning, 30,000 word middle, and another 15,000 words for the end. Screenplays go by pages. A typical Screenplay is approximately 120 pages. Therefore… 30 page beginning, 60 page middle, 30 page end. Got it? Good!)

TOOL #2 – Strong Characters

Let’s face it. If you don’t have a character that people love (or love to hate), then you’re already dead in the water. People read books because they care what happens to the people. Yes, plot is important, but without strong characters your story won’t go anywhere.

For me, strong characters are flawed characters. Also known as relatable characters.

For the sake of sanity, let’s take some notes from those crazy, wacky Tumblr groups known as FANDOMS!!! (*gasp*! NOOOO! NOT THE CRAZY PEOPLE!)

Yes, the crazy people. Think about it. Why are they crazy? Because they love those characters (or that one character) and they have to tell the world about it. They love them so much that they write their own stories to move the character forward. They literally put that character in their own life. And those villains? Oh, yeah, they have split followings. People either want to marry them or want to kill them.

So, what makes these crazy people fall in love with the characters?

They’re flawed. They have issues, and quirks, and they don’t get along with everyone, and people can relate to that.

(More of character development and how to write flawed characters is coming in the following weeks)

TOOL #3 – Passion

Honestly, this is the third and greatest essential tool you need. Without passion for your story, you’ll never finish it. You’ll start and let it die. So be sure you are passionate before you begin.

How do you know if you’re passionate about it?

Do you think about this story day and night? Does everything you see, experience, or read correlate back to it? Do you see your characters in fashion photos and your setting in travel guides?

If you answered yes to any of these, you are passionate about your story. Don’t give it up. Keep moving, keep writing, keep dreaming. The world needs more dreamers, and the world needs your book.

You are the only one who can write your book, your way. Don’t let it go.

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